This list illustrates how a select group of recordings can reveal the genre’s evolution from its earliest roots to contemporary expressions. Each entry signals a pivotal shift or breakthrough, whether through fresh approaches to improvisation, innovative production techniques, or new stylistic blends. Collectively, they underscore jazz’s enduring capacity for reinvention and its far-reaching cultural and artistic impact.
Spot | Artist | Album | Buy It |
---|---|---|---|
1 | Miles Davis | Kind of Blue | Vinyl | CD |
2 | John Coltrane | A Love Supreme | Vinyl | CD |
3 | Louis Armstrong | Hot Five and Hot Seven Recordings | Vinyl | CD |
4 | Charlie Parker | Bebop Recordings (Savoy/Dial) | CD |
5 | Duke Ellington | Blanton-Webster Band Recordings | |
6 | Ornette Coleman | The Shape of Jazz to Come | CD |
7 | Miles Davis | Bitches Brew | Vinyl | CD |
8 | Dave Brubeck Quartet | Time Out | Vinyl | CD |
9 | Herbie Hancock | Head Hunters | Vinyl | CD |
10 | Kamasi Washington | The Epic | Vinyl | CD |
Widely regarded as one of the most influential jazz recordings ever, this album pioneered modal jazz with a relaxed, “cool” approach. Its five tracks (including classics like “So What”) introduced improvisation based on scales rather than complex chords, creating an inspiring simplicity that opened new directions for jazz. Featuring an all-star sextet (Davis, Coltrane, Adderley, Evans, etc.), Kind of Blue became the best-selling classic jazz album of all time and an “improviser’s bible” for generations of musicians.
A four-part spiritual suite that is one of the most revered jazz albums in history Coltrane’s A Love Supreme pushed jazz beyond entertainment into spiritual art – a passionate, modal prayer of thanks that influenced countless artists within and beyond jazz. Its deep emotional intensity and suite-like structure demonstrated jazz could convey profound spiritual themes, helping ensure the music was taken seriously as cultural art at the highest level.
These late-1920s sessions by Louis Armstrong are foundational jazz documents, where the trumpeter’s improvisational genius had its first flowering. Armstrong’s brilliant solos (e.g. the iconic “West End Blues”) burst with rhythmic vitality and melodic invention, shifting jazz from New Orleans ensemble polyphony to a soloist-focused art. His pioneering trumpet style and gravelly vocals were hugely influential – Armstrong is often considered the most important musician of early jazz, and these recordings are some of the earliest jazz ever captured on record.
Alto saxophonist Charlie “Bird” Parker’s mid-1940s bebop recordings revolutionized jazz with lightning-fast tempos, advanced harmonies, and virtuosic solos. On tracks like “Ko-Ko” and “A Night in Tunisia,” Parker unveiled an “undiluted, precedent-breaking” musical language that changed the course of jazz improvisation. Regarded as the “King of Bop,” Parker recorded some of the 20th century’s finest music, and his innovations in melody and rhythm became the cornerstone of modern jazz vocabulary.
Between 1940–42, Duke Ellington (with bassist Jimmy Blanton and saxophonist Ben Webster) created some of the most groundbreaking big band music ever recorded. In these sessions Ellington and arranger Billy Strayhorn turned jazz composition and arranging inside out, blending simple song forms with sophisticated orchestration and rich harmonies that amazed audiences. Later collected as the Blanton–Webster band anthology, these tracks are an “imperishable treasure” – a showcase of Ellington’s genius at melding individual star players into a radically innovative, swinging ensemble sound that influenced all jazz orchestras to follow.
Ornette Coleman’s 1959 debut on Atlantic boldly announced the advent of free jazz. Dispensing with strict chord changes and song form, Coleman’s quartet emphasized collective improvisation and raw emotion, providing a completely fresh set of musical signposts for the jazz vernacular. This album’s bright, sinuous melodies and “off-the-wall” improvisations were controversial at first, but ultimately had a profound influence on later jazz avant-garde movements – reopening jazz to the untamed blues feeling and spontaneity of its early roots while pointing to the future.
Miles Davis’s Bitches Brew is the 1970 double album that launched jazz fusion by fearlessly merging jazz improvisation with rock and funk elements. Harnessing electric guitars, keyboards and studio effects, Davis created a dense, hypnotic soundscape – a “swirling electrical brew” – that pushed jazz far beyond its acoustic bop roots. The album shocked purists, but its huge impact legitimized the union of jazz and rock, permanently altering the course of jazz; after Bitches Brew, jazz was never the same, and a new generation of listeners was drawn in by its psychedelic groove.
A pioneering cool jazz record that became one of the first jazz albums to achieve mainstream pop success. Time Out (1959) experimented with unusual time signatures (5/4, 9/8, etc.) yet still produced “Take Five,” one of the most popular jazz singles ever. Brubeck’s emphasis on melody, smooth West Coast style, and group interplay proved that experimental jazz could be accessible: the album introduced millions to complex rhythms in jazz, and not owning Time Out has been compared to not owning the classics of rock.
Head Hunters brought funk into jazz fusion, becoming a crossover sensation. On this 1973 album, Herbie Hancock traded his acoustic piano for synthesizers and deep funk grooves, resulting in a record aimed “squarely at the dance floor”. The hit track “Chameleon” and the Sly Stone-inspired rhythms made Head Hunters a massive seller, “one of the biggest selling jazz albums of all time”. By fusing jazz virtuosity with R&B/funk elements, Hancock opened jazz to new audiences and set the template for jazz-funk and future genres like acid jazz.
This contemporary 3-hour, three-disc album signaled a jazz resurgence in the 21st century. Kamasi Washington’s The Epic (2015) is a fusion of genres, blending hard bop jazz with Afrobeat, funk, soul, hip-hop and classical influences into an accessible yet monumental work. Its ambitious scale and Washington’s high profile (aided by collaborations with hip-hop artists like Kendrick Lamar) brought serious public attention to jazz. The Epic’s broad appeal and critical acclaim showed that jazz’s innovative spirit is very much alive, inspiring a new generation of listeners and musicians in the modern era.