Global Top 100 Albums of the 80s

1) Thriller

The best-selling album of all time (estimated 70 million copies worldwide) , Thriller set a new standard for pop music. It spawned seven Top-10 singles and earned Jackson a record-breaking eight Grammy Awards . With its innovative music videos and genre-blending tracks, the album had an unparalleled global cultural impact and remains frequently cited as one of the greatest albums ever made .

2) Purple Rain

Prince’s magnum opus blended rock, pop, and R&B and served as the soundtrack to his hit film. Purple Rain spent 24 consecutive weeks at #1 in the US and has sold over 25 million copies worldwide . It yielded two #1 singles (“When Doves Cry” and “Let’s Go Crazy”) and earned Prince an Academy Award for Best Original Song Score. Rolling Stone ranked it the #2 album of the 1980s , and it’s widely acclaimed as one of the most influential pop albums ever.

3) The Joshua Tree

U2 achieved worldwide superstar status with The Joshua Tree, an album that brought arena rock and soul-searching lyrics to the masses. Featuring anthems like “With or Without You” and “Where the Streets Have No Name,” the album topped charts around the world (including a nine-week run at #1 in the US) and earned U2 two Grammy Awards including Album of the Year . Its cinematic soundscapes and political themes received widespread critical acclaim, and it’s frequently cited as a landmark of 1980s rock.

4) Born in the U.S.A.

Springsteen’s Born in the U.S.A. turned him into a global megastar, blending heartland rock with social commentary. The album produced a record-tying seven Top-10 singles in the US – an astonishing feat demonstrating its broad appeal. With over 30 million copies sold worldwide , it was 1985’s best-selling album in the US and hit #1 in multiple countries . Despite its anthemic, upbeat sound, the title track’s lyrics offered a poignant critique of the American treatment of Vietnam veterans, showcasing Springsteen’s mix of commercial success and cultural impact.

5) Back in Black

Back in Black is a hard rock milestone and one of the highest-selling albums in history (about 50 million copies worldwide) . This loud, hook-filled tribute to late singer Bon Scott announced Brian Johnson as the new frontman and delivered classics like “Hells Bells” and “You Shook Me All Night Long.” Its no-frills riff-driven sound won massive commercial success – Back in Black sits at #2 all-time in global sales (behind only Thriller) – and proved hugely influential on rock and metal bands for generations.

6) Appetite for Destruction

The best-selling debut album of all time, Appetite for Destruction shook up the late-’80s music scene with a raw, raunchy hard rock sound . Powered by hits like “Welcome to the Jungle” and “Sweet Child o’ Mine,” it topped the Billboard chart and eventually sold over 30 million copies globally. Critics praised its dangerous energy and streetwise lyrics for revitalizing rock during an era of polished pop-metal. The album’s gritty authenticity and massive success made Guns N’ Roses international superstars and influenced countless rock bands to follow.

7) It Takes a Nation of Millions to Hold Us Back

This groundbreaking hip-hop album combined Bomb Squad’s dense, sample-heavy production with Chuck D’s militant lyrics, bringing social and political commentary to the mainstream. It Takes a Nation… was a critical sensation – The Village Voice’s Pazz & Jop critics poll named it the best album of 1988 – and it’s frequently lauded as one of the greatest hip-hop albums ever . The album’s powerful tracks (like “Don’t Believe the Hype”) had global influence far beyond their modest initial chart positions, proving hip-hop could be a vehicle for urgent social critique.

8) Graceland

Blending American pop with South African mbaqanga and zydeco, Graceland became an international phenomenon. Simon’s adventurous collaboration with South African musicians (amid apartheid) yielded infectious tracks like “You Can Call Me Al.” The album sold over 14 million copies and earned 1987’s Album of the Year Grammy . Hailed for its cross-cultural fusion – though not without controversy for breaking the apartheid boycott – Graceland introduced world music to Western audiences on a huge scale and is widely celebrated for its artistic and cultural significance.

9) Like a Prayer

Madonna’s fourth album Like a Prayer marked her artistic coming-of-age with a blend of incisive personal themes and polished pop production. It topped charts worldwide (her third consecutive #1 album in the US) and drew critical acclaim for songs like “Express Yourself” and the gospel-infused title track. Like a Prayer stirred controversy with its religious imagery, highlighting Madonna’s impact on pop culture dialogue . Frequently cited among the greatest pop albums, it showcased Madonna’s versatility and solidified her status as the ’80s’ definitive pop icon.

10) Sign “☮” the Times

Prince’s double album Sign o’ the Times is often hailed as his greatest artistic achievement, fusing funk, pop, rock, and socially conscious lyrics. Tracks like the title song confronted AIDS, drug abuse, and violence in stark terms, while others showcased Prince’s virtuosity across styles (from the jubilant “I Could Never Take the Place of Your Man” to the soulful “Adore”). Although its sales (over 1 million in the US) didn’t match Purple Rain, it was a critical triumph – many publications named it 1987’s best album, and Rolling Stone later placed it among the all-time top albums . Its eclectic brilliance underscores Prince’s legacy as a creative visionary.

11) Bad

The hotly anticipated follow-up to Thriller, Bad kept Jackson’s commercial dominance going strong. It became the first album to produce five #1 singles on the Billboard Hot 100 (including “Bad” and “Man in the Mirror”), a record that stood for decades . The album topped charts in 25 countries and sold an estimated 30–35 million copies worldwide. Though slightly overshadowed by its predecessor, Bad received positive reviews for its slick production and Jackson’s bold image evolution, and it further cemented his status as the global “King of Pop” .

12) Raising Hell

With Raising Hell, Run-D.M.C. brought hip-hop into the mainstream’s center stage. The album featured “Walk This Way,” a groundbreaking collaboration with Aerosmith that became a global hit and MTV staple, breaking racial barriers in music programming . Raising Hell became the first rap album to reach the top 10 on the Billboard 200 and eventually sold over 3 million copies in the US. Hailed by critics, it demonstrated hip-hop’s commercial power and influenced countless artists, making Run-D.M.C. the genre’s first superstars on a worldwide scale.

13) Straight Outta Compton

This debut by N.W.A fundamentally changed the hip-hop landscape, popularizing West Coast gangsta rap with unflinching depictions of street life. Straight Outta Compton was revolutionary – tracks like the infamous “F* tha Police” drew controversy and FBI attention, but also highlighted urgent issues of police brutality . The album went double platinum with virtually no radio play, showing the power of word-of-mouth and authenticity. Its raw sound (produced by Dr. Dre) and aggressive lyricism influenced an entire generation of rappers, making it one of the most culturally significant albums of the decade.

14) 1999

Prince’s 1999 was a breakthrough that brought his Minneapolis sound to the world. Propelled by the apocalyptic party anthem “1999” and the synth-funk classic “Little Red Corvette,” the double LP became Prince’s first top 10 album in the US and sold over 4 million copies there. The album’s blend of new wave, funk and R&B was critically acclaimed – Rolling Stone would later include 1999 in its 500 Greatest Albums list . As one of the earliest ’80s albums to merge black and white audiences on MTV, it paved the way for Prince’s superstardom and the pop-funk crossover of the era.

15) Faith

Faith announced George Michael as a solo superstar and remains one of the decade’s pop landmarks. Showcasing Michael’s songwriting and soulful vocals, the album generated four #1 hits in the US, including “Faith” and “Father Figure.” It earned Michael the Grammy for Album of the Year in 1989. Faith sold over 20 million copies globally, topping charts in the US and UK . Critics praised its mix of upbeat dance-pop and introspective balladry, and its massive commercial success confirmed Michael’s place as one of the ’80s’ most influential pop/R&B artists.

16) Whitney Houston

Whitney Houston’s debut album became a worldwide phenomenon, showcasing one of the greatest voices in pop history. The album produced three #1 singles in the US (including “Saving All My Love for You”) and introduced Houston’s unparalleled vocal range and emotive delivery. It topped the Billboard 200 for 14 weeks and was 1986’s best-selling album in the US. Eventually certified 13× Platinum in America , Whitney Houston sold over 22 million copies worldwide. The album’s crossover success opened doors for black female artists in pop and earned Houston immediate acclaim, including a Grammy for Best Pop Vocal Performance.

17) Like a Virgin

Madonna’s second album Like a Virgin catapulted her to megastardom and became a defining pop record of the 1980s. The Nile Rodgers-produced album spent three weeks at #1 in the US and sold over 21 million copies worldwide. It delivered two iconic #1 hits – the title track (with Madonna’s career-making MTV performance in a wedding dress) and “Material Girl” – that made Madonna a household name . Like a Virgin drew mixed initial reviews but later earned respect for its savvy blend of catchy dance-pop and provocative image-making, solidifying Madonna’s reputation as the era’s ultimate pop trendsetter.

18) Synchronicity

The Police bowed out at their peak with Synchronicity, an album that balanced accessible new-wave pop with avant-garde touches. It spent 17 weeks at #1 in the US and featured the monster hit “Every Breath You Take,” which topped charts worldwide in 1983. The album’s eclectic tracks – from the fiery “Synchronicity II” to the serene “King of Pain” – earned critical praise and multiple Grammy nominations. Synchronicity sold over 8 million copies in the US alone and cemented The Police’s legacy, with Rolling Stone later ranking it among the 100 greatest albums of the ’80s .

19) Licensed to Ill

As the first rap album to hit #1 on the Billboard chart, Licensed to Ill was a landmark for hip-hop’s crossover into the mainstream. The Beastie Boys – three white New Yorkers blending rock riffs with rap – brought an irreverent party vibe on hits like “(You Gotta) Fight for Your Right (To Party!)” and “No Sleep Till Brooklyn.” The album was a massive seller (certified Diamond in the US) and Billboard’s top-selling album of 1987. Initially seen as bratty fun, it has since been recognized for its role in popularizing rap-rock and expanding hip-hop’s audience .

20) Master of Puppets

Widely regarded as one of metal’s greatest albums, Master of Puppets showcased Metallica’s musical sophistication and dark thematic depth. Though it received no radio play or hit singles, the album sold over 6 million copies in the US and was the first thrash metal album preserved in the National Recording Registry for its cultural significance. Critics praised its complex compositions and aggressive energy – the title track and “Welcome Home (Sanitarium)” in particular became metal classics. Master of Puppets elevated Metallica to underground legend status in the ’80s and influenced countless metal bands in its wake .

21) Brothers in Arms

One of the first albums to fully embrace the CD format, Brothers in Arms became a global blockbuster and helped drive the ’80s CD boom . Mark Knopfler’s smooth guitar work and storytelling shine on hits like “Money for Nothing” (with its famous MTV-targeting video) and “Walk of Life.” The album spent nine weeks at #1 in the US and was 1985’s best-selling album in the UK. Winner of two Grammy Awards, Brothers in Arms sold over 30 million copies worldwide and is credited with bringing a refined roots-rock sound to a massive international audience.

22) Slippery When Wet

This New Jersey band’s third album conquered the charts and defined ’80s pop-metal. Slippery When Wet produced two #1 singles (“You Give Love a Bad Name” and “Livin’ on a Prayer”) and became 1987’s top-selling album in the US. Filled with anthemic choruses and polished riffs, it spent eight weeks at #1 on the Billboard 200 and has sold over 28 million copies worldwide. Though dismissed by some critics at release, it is now recognized for its craft in melding hard rock with pop appeal, and it turned Bon Jovi into global rock superstars with enduring arena anthems.

23) Hysteria

Packed with glossy hooks and Mutt Lange’s elaborate production, Hysteria epitomized late-’80s stadium rock. The album tied Thriller’s record with seven singles reaching the US Top 10 , including hits like “Pour Some Sugar on Me” and “Love Bites.” Following drummer Rick Allen’s triumphant comeback after losing his arm, Def Leppard crafted an album meant to be “every band’s Sgt. Pepper,” blending hard rock guitars with pop sheen. Hysteria topped charts in the US and UK and sold over 20 million copies worldwide. Its mainstream success brought metal to MTV’s forefront and remains a high point of ’80s pop-metal.

24) Rhythm Nation 1814

A concept album merging social consciousness with state-of-the-art production, Rhythm Nation 1814 showcased Janet Jackson at her peak. It became the only album in history to generate #1 hits in three separate calendar years (1989–1991) and yielded seven top 10 singles in the US . Jackson’s blend of new jack swing, pop, and R&B – guided by Jimmy Jam and Terry Lewis – tackled issues like racism and education (on “Rhythm Nation”) alongside joyful jams (“Escapade”). The album sold over 12 million copies globally and established Janet as an international icon who could fuse danceable beats with a socially aware message.

25) Hounds of Love

British art-pop icon Kate Bush achieved her creative and commercial apex with Hounds of Love. Side one delivered accessible singles like “Running Up That Hill,” which gave Bush a global hit and became a defining song of the era. Side two (“The Ninth Wave”) formed an ambitious conceptual suite about a woman adrift at sea, highlighting Bush’s visionary storytelling and innovative production. The album earned rapturous reviews – Pitchfork later named it the best album of 1985 – and it knocked Madonna off #1 in the UK, eventually going double platinum. Hounds of Love’s influence can be heard in countless art-pop and alternative artists who followed.

26) Tracy Chapman

Tracy Chapman’s stark, self-titled debut brought singer-songwriter folk back into the pop spotlight amid the late ’80s. Led by the hit single “Fast Car,” a haunting narrative of working-class struggle, the album rose to #1 in both the US and UK. It earned Chapman three Grammy Awards, including one for Best New Artist. Tracy Chapman sold roughly 20 million copies worldwide, an impressive feat for an acoustic folk record, and drew widespread critical acclaim for its sincere songwriting and social commentary. The album’s success opened doors for socially conscious folk and soul music in a decade dominated by synth-pop.

27) Murmur

Murmur introduced the world to R.E.M.’s jangly college-rock sound and is often credited with spearheading the alternative rock movement. Michael Stipe’s cryptic murmured lyrics and Peter Buck’s ringing guitar made for a mysterious yet melodic debut that Rolling Stone named Album of the Year for 1983 , even over bigger releases. Though it peaked at only #36 in the US, the album’s critical acclaim was unanimous – its Southern gothic atmosphere and indie ethos influenced countless ’90s alternative bands. Murmur has since been recognized as one of the best albums of the ’80s for its understated, genre-defining style .

28) Disintegration

Gothic rock reached its commercial and artistic zenith with Disintegration. The Cure’s moody masterpiece features lush, atmospheric tracks like “Pictures of You” and “Lovesong” (a US Top 10 hit). Robert Smith channeled depression and yearning into grand, textured songs that struck a chord with a wide audience – the album became the band’s highest-charting in both the UK and US, and it’s certified 2× Platinum in America. Hailed by critics as The Cure’s finest work, Disintegration is credited with expanding alternative rock’s audience and remains a touchstone for emo and goth-influenced artists.

29) Paul’s Boutique

Initially a commercial disappointment after Licensed to Ill, Paul’s Boutique later earned recognition as a sample-driven masterpiece ahead of its time. The Dust Brothers’ production stitched together hundreds of eclectic samples into a richly layered soundscape – a “Sgt. Pepper of hip-hop” as some have called it. Although none of its singles were major hits, the album’s reputation grew enormously; today it’s frequently cited among the greatest hip-hop albums ever for its innovation . Paul’s Boutique demonstrated the artistic potential of sampling and influenced generations of producers, even as sample-clearance costs made its style virtually inimitable.

30) So

Peter Gabriel achieved his commercial breakthrough with So, without sacrificing his artistic ambition. The album delivered hit singles like the funky “Sledgehammer” (whose inventive claymation video became an MTV classic) and the tender duet “Don’t Give Up” (with Kate Bush). So reached #1 in the UK and #2 in the US, eventually selling over 8 million copies in America. It earned Gabriel multiple Grammy nominations and widespread critical praise for its worldbeat influences and personal lyrics . So’s success helped bring world music elements into ’80s pop and remains Gabriel’s most celebrated work.

31) Nebraska

Recorded as a set of stark solo demos on a cassette four-track, Nebraska stands as Springsteen’s most haunting and unconventional album. Its bare-bones folk songs, influenced by noir stories and true crime (e.g. the title track about spree killer Charlie Starkweather), were a sharp contrast to the anthems Springsteen is known for. Though it had no hit singles and Springsteen chose not to re-record it with the E Street Band, the 1982 album was highly acclaimed – Rolling Stone later placed it among the top albums of the ’80s. Nebraska’s austere storytelling influenced countless Americana and lo-fi artists, proving an album’s impact isn’t measured by chart success.

32) Control

On Control, a 20-year-old Janet Jackson teamed with producers Jimmy Jam and Terry Lewis to reinvent herself and, in the process, change the sound of pop and R&B. Blending funky Minneapolis beats with Janet’s assertive attitude on tracks like “What Have You Done for Me Lately” and “Nasty,” the album introduced new jack swing to mainstream audiences. Control hit #1 in the US, produced five Top 5 singles, and sold over 10 million copies worldwide. It also made Jackson an icon of independence – she received multiple Grammy nominations and widespread critical respect for this empowered, trend-setting album .

33) War

U2’s third album War established them as a force in rock with its passionate political anthems. Opening with the martial drumbeat of “Sunday Bloody Sunday,” War addressed conflict and injustice head-on, a contrast to the atmospheric mysticism of their earlier work. The album was U2’s first #1 in the UK and reached the Top 20 in the US, powered by the rallying cry of “Sunday Bloody Sunday” and the hopeful anthem “New Year’s Day” (a #10 hit in the UK). Critics praised its earnest intensity – Rolling Stone called it U2’s “first overtly political album” – and it laid the groundwork for the band’s global activism and stadium-filling sound.

34) Doolittle

The Pixies’ Doolittle is an alternative rock touchstone that heavily influenced the ’90s grunge and indie scenes. With a unique quiet-loud dynamic, Black Francis’s surreal lyrics, and Joey Santiago’s angular guitar, songs like “Debaser” and “Monkey Gone to Heaven” were critically acclaimed. While Doolittle only reached #98 on the US charts, it was a Top 10 hit in the UK and became a college radio staple. Its critical reputation has grown enormously – it’s now often ranked among the best albums of the 1980s . Nirvana’s Kurt Cobain famously cited the Pixies’ sound as a major inspiration, underscoring Doolittle’s lasting impact.

35) The River

This ambitious double album showed both the celebratory and somber sides of Springsteen’s songwriting. The River gave Springsteen his first #1 album in the US and featured the hit single “Hungry Heart,” which became his first Top 5 hit . The album ranges from exuberant bar-band rockers (“Sherry Darling”) to heartbreaking ballads (“The River”), reflecting youthful highs and adult lows. Critics praised the breadth of Springsteen’s vision, and the album’s raw emotional core resonated with fans – it eventually sold 5 million copies in the US. The River’s mix of crowd-pleasing anthems and introspective tracks deepened Springsteen’s legend as the voice of the American everyman.

36) Closer

Released shortly after singer Ian Curtis’s tragic death, Closer is a post-punk monument of almost otherworldly gloom and beauty. Joy Division’s second and final album received immense critical acclaim for its chilling atmospherics and Curtis’s emotive baritone, especially on tracks like “Isolation” and “Atmosphere.” Though not a big seller at release (it peaked at #6 in the UK), Closer became hugely influential – its dark, synth-laced sound paved the way for the goth rock and new wave movements of the ’80s. The album is often cited among the decade’s best by critics, revered for its artistry and the poignant legacy of a band gone too soon.

37) The Queen Is Dead

Often regarded as the Smiths’ masterpiece, The Queen Is Dead combines Johnny Marr’s jangling guitar brilliance with Morrissey’s witty, melancholic lyrics. Though it only reached #70 in the US, the album was a Top 3 hit in the UK and eventually went Platinum there. Songs like “There Is a Light That Never Goes Out” and the title track have become alternative classics. Critics universally laud The Queen Is Dead – it tops several publications’ lists of the greatest albums of the ’80s and appears on many all-time lists . Its influence is profound on indie rock and Britpop, making it one of the era’s most cherished records.

38) Dirty Mind

Prince’s third album Dirty Mind was a bold statement that established his fearless creativity. Recorded largely solo in his home studio, the album’s sparse, synth-funk sound and provocative sexual lyrics were startling for 1980. Though it barely grazed the charts at the time, Dirty Mind earned rave reviews – Rolling Stone later noted that it “set the style” for electro-funk – and it’s credited with helping to define the Minneapolis sound. Tracks like “When You Were Mine” (later covered by Cyndi Lauper) showcased Prince’s pop instincts, while the risque “Head” and “Dirty Mind” pushed boundaries. The album’s fusion of New Wave and funk was hugely influential on ’80s R&B and pop, solidifying Prince’s reputation as a trendsetter.

39) Let It Be

Let It Be saw The Replacements mature from rowdy punk to songwriting greatness – all while cheekily swiping an album title from The Beatles. Hailing from Minneapolis’s indie scene, the band delivered heartfelt ballads (“Unsatisfied”) and goofy rockers (“Gary’s Got a Boner”) side by side. Though it sold modestly, Let It Be earned Rolling Stone’s praise as one of the best albums of 1984 and later made numerous ’80s top-album lists. Paul Westerberg’s blend of angsty emotion and self-deprecating humor on songs like “Answering Machine” influenced the alternative rock boom of the ’90s (Nirvana’s Kurt Cobain was a noted fan). Irreverent yet vulnerable, Let It Be became a template for indie rock authenticity.

40) Tim

The Replacements followed Let It Be with Tim, their major-label debut, without losing their scrappy charm. Produced by Tommy Erdelyi (Tommy Ramone of the Ramones), Tim refined the band’s sound just enough to let Westerberg’s songwriting shine on tracks like “Bastards of Young” and the achingly melodic “Here Comes a Regular.” Critics applauded Tim – it placed high on Village Voice’s 1985 Pazz & Jop poll – and it’s often listed alongside its predecessor as an ’80s indie-rock classic. While Tim didn’t spawn hit singles, its influence on later alternative icons (from Goo Goo Dolls to Green Day) is evident. Together with Let It Be, it cemented The Replacements’ legacy as pioneers of earnest, ragged rock.

41) Imperial Bedroom

On Imperial Bedroom, Elvis Costello moved beyond the brash new-wave of his early work into lush, sophisticated pop craftsmanship. Produced by Beatles engineer Geoff Emerick, the 1982 album features baroque arrangements and witty, emotionally rich songwriting, drawing comparisons to Brian Wilson and Lennon–McCartney. Though singles like “You Little Fool” didn’t chart high, the album was a critical triumph – Rolling Stone declared it an instant classic – and it remains a fan favorite. Tracks such as “Man Out of Time” showcase Costello’s lyrical genius. Imperial Bedroom’s ambitious scope and melodic richness have caused many critics to call it Costello’s finest hour, solidifying his reputation as one of the era’s best songwriters.

42) Speaking in Tongues

Talking Heads broke into the mainstream with Speaking in Tongues, striking a balance between art-rock quirkiness and danceable funk. The album’s lead single “Burning Down the House” became the band’s first (and only) American Top 10 hit, propelled by an eye-catching MTV video. Speaking in Tongues showcased a lighter, groovier side of the Heads after the experimental Remain in Light. It won the band widespread acclaim and a Grammy nomination, and the subsequent Stop Making Sense tour and live film (featuring many Tongues songs) became legendary. Blending David Byrne’s eccentricities with irresistible rhythms (as on “This Must Be the Place”), the album helped bring avant-garde new wave to a broader pop audience.

43) Power

Corruption & Lies

44) Daydream Nation

Daydream Nation is an underground epic that captured Sonic Youth at their creative peak, turning dissonance and feedback into an art form. This double LP – featuring the anthemic “Teen Age Riot” – earned major critical praise and was selected for the National Recording Registry as a culturally important work. Though sales were modest, Daydream Nation’s influence on the burgeoning alternative rock scene was profound; its expansive noise-rock textures directly informed the sound of ’90s acts like Nirvana (who cited Sonic Youth as an influence). The album is regularly ranked among the greatest of the ’80s in critic polls , a testament to how its avant-garde spirit helped lay the groundwork for mainstream acceptance of alternative music.

45) Sandinista!

A sprawling 36-track triple album, Sandinista! showcased The Clash’s fearless experimentation, incorporating reggae, dub, gospel, and rap alongside punk rock. Released in 1980 at a budget price, it confounded both critics and fans – some thought it indulgent, others hailed its ambition. Over time, its genre-hopping has been reassessed positively: tracks like “The Magnificent Seven” (one of the first notable rap-influenced rock songs) and the dubby “Washington Bullets” demonstrated The Clash’s global musical curiosity. Sandinista! didn’t match the sales of London Calling, but it furthered the band’s “Spirit of ’77” ethos into new territories. Its daring fusion of styles and political themes has earned it cult respect as a precedent to the world music and genre-blending trends in later decades.

46) Private Dancer

Tina Turner’s spectacular comeback Private Dancer turned her into a solo superstar at age 44. Escaping a troubled past, Turner infused rock, pop, and R&B into hits like the Grammy-winning “What’s Love Got to Do with It,” which hit #1 in the US. The album produced five top 40 singles and sold over 20 million copies worldwide , firmly establishing Turner as the “Queen of Rock ’n’ Roll.” Critics praised her powerhouse vocals and the album’s mature, modern production. Private Dancer won four Grammys and proved hugely influential, paving the way for older artists – especially women – to stage comebacks on their own terms and crossing rock and soul audiences in the process.

47) Music for the Masses

Music for the Masses was aptly named – it propelled Depeche Mode from cult synth-pop act to global stadium headliners. The 1987 album’s polished yet moody tracks like “Never Let Me Down Again” and “Strangelove” were darker and more ambitious, resonating widely and setting the stage for the band’s 1988 Pasadena Rose Bowl concert in front of 60,000 fans (captured on 101). Music for the Masses cracked the US Top 40 and went Platinum, and it performed even better in Europe. Critics noted the album’s greater depth and maturity; its success demonstrated that alternative electronic music could fill arenas. This era of Depeche Mode heavily influenced the industrial and synth-rock boom of the ’90s, underscoring the album’s lasting impact.

48) Skylarking

Produced with lush, Beatles-esque arrangements by Todd Rundgren, Skylarking saw XTC crafting a pastoral song cycle that many consider the band’s finest hour. The 1986 album flows through a “day in the life” thematic arc, from the blooming optimism of “Summer’s Cauldron” to the spirituality of “Dear God” – a controversial bonus track that became an unexpected US college radio hit. Though XTC had stopped touring by this point, Skylarking significantly raised their critical profile; Rolling Stone later included it in its list of 100 best albums of the ’80s. The album’s intricate pop craftsmanship influenced later generations of indie and chamber-pop artists. Over time, Skylarking’s reputation has only grown, recognized now as an English pop masterpiece of its era.

49) Document

Document captured R.E.M. at the moment they began transforming from college-rock darlings into mainstream contenders. The 1987 album delivered R.E.M.’s first major hit, “The One I Love,” which reached the US Top 10 and introduced Michael Stipe’s cryptic lyrics to a broader audience. Document also features the rapid-fire political rant “It’s the End of the World as We Know It (And I Feel Fine),” emblematic of the band’s blend of jangly guitars and enigmatic commentary. Co-produced with Scott Litt (who would helm their biggest ’90s albums), Document went Platinum and earned widespread critical praise. It was the last R.E.M. album on an indie label (I.R.S.), paving the way for their big leap to the majors – appropriately, the cover was stamped “File Under Fire.” Today, Document is remembered as the bridge between R.E.M.’s underground roots and their impending superstar status.

50) Rapture

Anita Baker’s Rapture reintroduced quiet storm soul to the pop charts with its elegant, jazzy style. Baker’s rich contralto and sophisticated phrasing on tracks like the Grammy-winning single “Sweet Love” helped the album cross over from R&B to a wide international audience. Rapture hit #1 on the R&B chart and #11 on the Billboard 200, eventually selling over 8 million copies worldwide . Critics lauded the album’s timeless quality – in contrast to the era’s trends – and Baker won two Grammys for her work. As a cornerstone of ’80s adult contemporary R&B, Rapture influenced artists from Sade to modern neo-soul singers, demonstrating the commercial viability of smooth, jazz-inflected soul.

51) Nothing’s Shocking

With Nothing’s Shocking, Jane’s Addiction brought the alternative hard-rock scene of Los Angeles to national attention, setting the stage for ’90s alternative metal and the Lollapalooza generation. Perry Farrell’s outrageous stage presence and the band’s genre-blending style (mixing metal, punk, funk and psychedelia) made songs like “Mountain Song” and “Jane Says” standouts on college and rock radio. The album’s cover – featuring nude sculptures on fire – aptly reflected its provocative spirit (in fact, some stores refused to carry it). Nothing’s Shocking reached only #103 on the charts, but critical acclaim was strong, and its influence loomed large: it helped legitimize alt-metal and led the band to co-found the Lollapalooza festival in 1991. Many later acts (from Red Hot Chili Peppers to Tool) drew inspiration from the daring musical fusion Jane’s Addiction achieved on this debut.

52) Rio

Few albums define New Wave’s glamorous side better than Rio. Brimming with stylish synth-pop and driven by Duran Duran’s photogenic appeal on MTV, Rio became an international success – particularly after the vivid “Rio” and “Hungry Like the Wolf” videos caught fire on television. The album reached #6 in the US and #2 in the UK, eventually going double Platinum in America. Critics also came around to appreciate its craft: Rio is packed with enduring fan favorites, from the moody “Save a Prayer” to the funky “New Religion.” As a cornerstone of the Second British Invasion on early ’80s MTV, Rio not only solidified Duran Duran as global superstars, but also proved that visually-savvy, danceable synth-pop could conquer rock audiences worldwide.

53) 1984

Van Halen’s 1984 – with its famous smoking cherub cover – was a high-octane showcase that made hard rock wildly accessible. The album’s lead single “Jump” introduced synths into Van Halen’s sound and became a Billboard #1 hit (and a worldwide smash), while guitar-driven tracks like “Panama” and “Hot for Teacher” kept longtime fans headbanging. 1984 peaked at #2 in the US (behind only Thriller) and went 10× Platinum in America. It earned critical kudos for Eddie Van Halen’s guitar heroics and the band’s party-ready energy. Notably the last Van Halen album with David Lee Roth until 2012, 1984 influenced countless ’80s rock bands and remains one of the era’s quintessential rock albums, balancing pop sensibility with virtuosic talent .

54) Let’s Dance

Bolstered by production from Chic’s Nile Rodgers, Let’s Dance brought David Bowie unprecedented commercial success without sacrificing his artistry. The 1983 album’s sleek blend of rock and post-disco funk yielded three global hit singles – the title track “Let’s Dance,” “China Girl,” and “Modern Love.” It became Bowie’s first Platinum album in the US (reaching #4) and his biggest seller worldwide (over 10 million copies). Critics applauded the album’s stylish sound and Bowie’s chameleon-like reinvention as a suave pop star. Let’s Dance also notably introduced Texas blues guitarist Stevie Ray Vaughan to a wider audience on its blistering solos . While some fans were surprised by its polish, the album proved Bowie’s knack for innovation extended to the mainstream, making it one of 1983’s defining pop releases.

55) Ocean Rain

Heralded by the band as their “greatest album ever,” Ocean Rain saw Liverpool’s Echo & the Bunnymen envelop their post-punk songs in majestic orchestral arrangements. Recorded with a 35-piece orchestra, the 1984 album features the group’s signature song “The Killing Moon,” a sweeping, enigmatic ballad that UK press and fans have often ranked among the decade’s best singles. Ocean Rain reached the UK Top 10 and earned critical raves for its hauntingly romantic atmosphere and Ian McCulloch’s passionate vocals. Though the album had a lower profile in the US, it became a cult favorite and influenced later neo-psychedelic and Britpop artists. With its lush strings and poetic grandeur, Ocean Rain is frequently cited as one of the high-water marks of ’80s alternative music.

56) Eliminator

Eliminator brilliantly fused Texas boogie blues with ’80s electronic flair, making ZZ Top unlikely MTV icons. Armed with music videos featuring classic cars and leggy models, the band scored hits like “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs” – all propelled by catchy riffs and subtle synths. The album peaked at #9 in the US and spent a remarkable 183 weeks on the Billboard chart , eventually earning a Diamond certification. Critics praised Eliminator’s clever update of ZZ Top’s sound, and it introduced their southern-fried rock to a new generation. By blending dusty blues-rock with pop production, Eliminator became one of the definitive rock albums of the 1980s and the biggest of ZZ Top’s career.

57) Zen Arcade

The underground hardcore scene reached an artistic zenith with Hüsker Dü’s Zen Arcade, a double album concept record recorded in a blistering 85 hours . Far ahead of its time, the 1984 album mixed raging punk (“Something I Learned Today”) with psychedelic jams and acoustic interludes – a narrative of a young man’s anguished journey. Zen Arcade was released on an indie label (SST) and never charted, but it became hugely influential: Rolling Stone later included it in the 500 Greatest Albums , and its fusion of melody and ferocity paved the way for alternative rock’s rise. Husker Dü’s DIY masterpiece proved that hardcore punk could aspire to Tommy-like ambition, and its legacy echoes in everyone from the Pixies to Foo Fighters.

58) Diesel and Dust

Fueled by political fervor and anthemic hooks, Diesel and Dust put Australian rockers Midnight Oil on the world stage. The 1987 album’s signature song “Beds Are Burning,” a fiery call for Aboriginal land rights, became a global hit (Top 20 in the US and UK) and turned the Oils into unlikely international stars. The album, filled with impassioned environmental and social themes, hit #1 in Australia and went multi-Platinum in numerous countries. Critics praised the band’s conviction and Peter Garrett’s towering vocal presence. Often listed among the best Australian albums of all time, Diesel and Dust proved that socially conscious rock could resonate worldwide – it even earned Midnight Oil a performance at the 2000 Sydney Olympics, cementing its enduring significance down under and beyond.

59) Scarecrow

On Scarecrow, John Mellencamp combined heartland rock riffs with sharp social observations about America’s farmers and small towns. The 1985 album yielded three Top 10 hits – “Small Town,” “Lonely Ol’ Night,” and “R.O.C.K. in the U.S.A.” – and solidified Mellencamp’s image as a Midwest troubadour in the vein of Springsteen and Seger . Scarecrow also saw Mellencamp taking a stand: songs like “Rain on the Scarecrow” poignantly addressed the farm crisis, aligning with his co-founding of Farm Aid that year. The album hit #2 on the Billboard 200 and went 5× Platinum in the US. With its mix of radio-friendly hooks and populist themes, Scarecrow is widely regarded as Mellencamp’s finest work and a milestone in ’80s heartland rock.

60) Rum Sodomy & the Lash

Produced by Elvis Costello, this second album by London’s Anglo-Irish band The Pogues married traditional Celtic folk with punk’s raw energy. Rum Sodomy & the Lash (titled after a supposedly Churchill quote about naval tradition) overflows with Shane MacGowan’s evocative storytelling – from the raucous sea shanty “Sally MacLennane” to the heartbreaking ballad “A Pair of Brown Eyes.” The 1985 album was a critical darling (NME ranked it among the top albums of the year) and reached the UK Top 20, cementing The Pogues’ status as folk-punk pioneers. Its unvarnished passion influenced countless Celtic rock acts. Decades on, Rum Sodomy & the Lash remains a benchmark for merging folk tradition with rock rebellion, and its emotional intensity – especially on the stunning rendition of “And the Band Played Waltzing Matilda” – continues to move listeners.

61) Double Fantasy

Released just weeks before John Lennon’s tragic murder in 1980, Double Fantasy serves as a poignant final chapter in his legacy. The album – a collaboration with wife Yoko Ono in alternating tracks – celebrated their domestic bliss and creative partnership. Initially receiving mixed reviews, it soared to #1 worldwide after Lennon’s death and went on to win the 1981 Grammy for Album of the Year. Double Fantasy contains Lennon’s now-classics “(Just Like) Starting Over” (a #1 hit ) and “Woman,” radiating warmth and mature reflection, while Ono’s new-wave-leaning contributions were later reappraised positively. The album’s posthumous success and the heartbreaking context have made it one of the best-known records of the ’80s – a touching coda to a rock legend’s life and a showcase for Yoko’s avant-garde pop sensibility.

62) Avalon

Elegant and atmospheric, Avalon was the final studio album by Roxy Music – and their most commercially successful. Bryan Ferry and company traded the edgy glam of earlier years for a lush, romantic sound on songs like “More Than This” and the title track “Avalon,” which became adult-contemporary hits across Europe and beyond. The 1982 album hit #1 in the UK (spending over a year on the chart) and went Platinum in the US, a first for Roxy Music. Critics lauded Avalon’s sophisticated production and Ferry’s suave vocals, noting the album’s cohesiveness and dream-like mood. Often cited as a pinnacle of ’80s sophisti-pop, Avalon influenced artists in genres from new wave to smooth jazz, and its refined blend of art-rock and pop endures as a high point in Roxy Music’s oeuvre.

63) New York

On New York, rock veteran Lou Reed delivered a late-’80s critical triumph – a gritty concept album that paints an unflinching portrait of his city. Armed with just two guitars, bass and drums, Reed returned to basics, firing off incisive songs about urban blight, AIDS, racial injustice and political corruption (dropping references from Bernard Goetz to President Reagan). Critics hailed New York as Reed’s best work in years – Rolling Stone gave it 5 stars – appreciating its sharp songwriting on tracks like “Dirty Blvd.” (which topped the Modern Rock chart). The album hit #1 on the UK Indie chart and modestly peaked at #40 in the US, but its influence loomed larger: New York proved that ’60s icons could still produce vital, socially-relevant art in the late ’80s, and it stands as one of Reed’s most powerful statements.

64) Damaged

Black Flag’s ferocious debut Damaged is a cornerstone of American hardcore punk. Released in 1981 on SST Records, it introduced Henry Rollins as lead vocalist and set the template for ’80s DIY punk ethos. Songs like “Rise Above” and “TV Party” are short, blistering blasts of rebellion and frustration, encapsulating Southern California punk angst. Though Damaged sold only in underground circles (its distribution was hampered by a major-label dispute), its reputation spread by word of mouth – it was celebrated by critics for its intensity and has since been ranked among the top punk albums ever made. The raw power of Damaged inspired countless hardcore and alternative bands (Nirvana’s Kurt Cobain listed it as one of his favorite albums), confirming its enduring impact on the trajectory of punk rock.

65) Double Nickels on the Dime

A sprawling 45-track opus of eclectic punk, funk, and jazz influences, Double Nickels on the Dime solidified Minutemen as heroes of the ’80s American indie scene. The 1984 double album was San Pedro trio’s answer to Zen Arcade: a bold statement that punk could incorporate anything. From the funky “Corona” (later known as the Jackass TV theme) to politically charged bursts like “This Ain’t No Picnic,” the songs are united by Mike Watt’s nimble bass and D. Boon’s fiery guitar. The album didn’t chart but became a college radio staple and a critical favorite – Spin later ranked it among the top albums of all time. Double Nickels’ DIY spirit and genre-blurring innovation influenced generations of underground bands, embodying the ethos that punk had “no rules.”

66) Hot

Cool & Vicious

67) Business as Usual

Australia’s Men at Work took the world by storm with their debut Business as Usual. The 1981 album spent an astonishing 15 weeks at #1 in the US (a record at the time for a debut) and also topped charts in the UK, Australia, and beyond. It produced two ubiquitous #1 singles: the goofy-yet-catchy “Who Can It Be Now?” and the reggae-tinged “Down Under,” the latter becoming an unofficial Aussie anthem known worldwide . Business as Usual won the 1983 Grammy for Best New Artist (a first for an Australian act) and sold over 15 million copies globally. With Colin Hay’s distinctive vocals and witty lyrics, the album’s blend of new wave and pop-rock received positive reviews for its breezy, melodic hooks. Decades later, its songs remain 1980s staples, and the album endures as one of Australia’s most successful musical exports.

68) Colour by Numbers

Colour by Numbers solidified Culture Club’s status as ’80s pop royalty and showcased Boy George’s soulful croon amid a mélange of pop, new wave, and reggae influences. The 1983 album, anchored by the transatlantic #1 hit “Karma Chameleon,” hit #1 in the UK and #2 in the US, eventually going Platinum in both countries. Critics appreciated the maturation from their debut, noting more polished songwriting on tracks like “Victims” and “Church of the Poison Mind.” Colour by Numbers was named 1983’s Album of the Year by Rolling Stone readers and earned a Grammy nod. The album sold over 10 million copies worldwide, and its vibrant, inclusive spirit – led by Boy George’s androgynous image – made Culture Club one of the era’s most beloved groups. It remains a definitive example of the New Romantic movement’s global pop appeal.

69) Can’t Slow Down

Lionel Richie’s sophomore solo album Can’t Slow Down dominated the mid-’80s adult contemporary and R&B charts, confirming him as a premier pop craftsman. The 1983 album won the Grammy for Album of the Year and produced five US top 10 singles, including the Caribbean-flavored anthem “All Night Long (All Night)” and the tender ballad “Hello” . Can’t Slow Down spent 59 weeks in the Billboard Top 10 and went on to sell over 20 million copies globally , making it one of the decade’s biggest albums. Critics acknowledged its sleek production and Richie’s smooth songwriting, if noting its safe approach. Today, the album’s hit singles remain radio staples, and Can’t Slow Down stands as a high point of 1980s crossover R&B – the moment when Richie’s Motown-honed talents conquered the pop world.

70) Oh Mercy

After a string of less-heralded releases in the ’80s, Bob Dylan delivered a late-decade return to form with Oh Mercy. Produced in New Orleans by Daniel Lanois, the 1989 album surrounds Dylan’s voice with swampy, atmospheric arrangements that earned critical raves as his best work since the ’70s. Songs like “Most of the Time” (a reflective ballad later featured in High Fidelity) and the apocalyptic “Everything Is Broken” showcased a reinvigorated lyrical sharpness. Oh Mercy climbed into the US Top 30 and made many year-end “best albums” lists. It wasn’t a massive commercial hit, but it restored Dylan’s artistic standing – Rolling Stone later included it among the 100 best albums of the ’80s. Oh Mercy paved the way for Dylan’s creative resurgence in the ’90s and beyond, standing as a testament to his enduring songwriting prowess.

71) Uprising

Uprising was Bob Marley’s final studio album, released in June 1980, and it found the reggae legend infusing spiritual themes with commercial appeal. The album features “Could You Be Loved,” which became a Top 10 hit in the UK, and the acoustic classic “Redemption Song,” a powerful solo anthem of freedom that remains one of Marley’s most celebrated compositions. Uprising was a strong seller globally – it hit the Top 10 in several European countries and achieved Gold certification in the US – and earned Marley some of his best critical notices. Though Marley would pass away the following year, Uprising stands as a fitting farewell: a mix of uplifting Rastafarian faith (on tracks like “Forever Loving Jah”) and universal calls for unity and redemption. Its enduring songs have helped cement Marley’s posthumous status as a global icon of peace and resistance.

72) Dare

Dare spearheaded the synth-pop revolution of the early ’80s, proving that icy electronics and catchy hooks could conquer the charts. After a lineup overhaul, The Human League embraced a sleek, minimalist style led by Philip Oakey’s baritone and new female co-vocalists. The album’s crown jewel “Don’t You Want Me” became a worldwide #1 hit by late 1981, famously one of the earliest MTV video successes. Dare itself hit #1 in the UK and cracked the US Top 5, eventually going Platinum in the US as the new wave sound caught fire. Critics praised its contagious melodies and innovative use of synths and drum machines. Often cited as one of the definitive new wave albums, Dare influenced scores of synth-pop acts (from Eurythmics to Erasure) and remains synonymous with the futuristic pop optimism of its era.

73) Make It Big

True to its title, Make It Big turned the British duo Wham! into one of the 1980s’ biggest pop acts and introduced the world to George Michael’s superstar talent. The 1984 album delivered back-to-back #1 singles on both sides of the Atlantic: the exuberant “Wake Me Up Before You Go-Go,” the soulful ballad “Careless Whisper,” and the dance-pop classic “Everything She Wants.” It hit #1 in the US and UK, and Wham! became the first Western pop group to tour China, symbolizing their global reach. While dismissed by some critics as lightweight at the time, the album’s craft and longevity have earned respect – its polished mix of R&B, pop, and sunshine funk still fills dance floors with nostalgic joy. Make It Big stands as a quintessential ’80s pop record, immortalizing the era’s youthful energy and style.

74) An Innocent Man

On An Innocent Man, Billy Joel paid loving tribute to the music of his youth – from doo-wop to Motown – and in doing so scored one of the biggest albums of his career. The 1983 LP generated three US Top 10 hits: the nostalgic doo-wop pastiche “The Longest Time,” the glossy urban pop “Tell Her About It” (a #1 single), and the soulful ballad “Uptown Girl” (a UK #1) . The album itself reached #4 on the Billboard 200 and was 1984’s top-selling album in Australia. Critics appreciated Joel’s melodic craftsmanship and the album’s spirited retro homage. An Innocent Man earned a Grammy nod for Album of the Year and has sold over 7 million copies in the US. Decades later, its singles remain radio staples, and the album endures as a charming showcase of Joel’s versatility and reverence for classic American pop styles.

75) Nick of Time

Nick of Time was the remarkable late-career breakthrough for blues-rock singer/guitarist Bonnie Raitt. After years of critical respect but modest sales, Raitt teamed with producer Don Was to craft this 1989 gem blending blues, pop, and R&B. The title track “Nick of Time” tackled aging and love with heartfelt honesty, while songs like “Thing Called Love” (written by John Hiatt) gave Raitt a radio hit. The album stunned industry observers by reaching #1 in the US (eventually 5× Platinum) and winning three Grammy Awards, including Album of the Year in 1990 . Critics praised its sincerity and Raitt’s slide guitar prowess. Nick of Time not only revitalized Raitt’s career at age 40, it also proved that mature, roots-oriented music could triumph commercially in an era dominated by slick pop, making it one of the feel-good success stories of the decade.

76) Love at First Sting

German hard rockers Scorpions achieved worldwide success with Love at First Sting, riding the MTV wave with arena-ready anthems. The 1984 album’s signature track “Rock You Like a Hurricane” became one of the decade’s defining rock songs, its riff instantly recognizable. Love at First Sting cracked the US Top 10 – a first for Scorpions – and eventually went triple Platinum in America, also selling strongly across Europe and Asia. Other tracks like “Big City Nights” and the power ballad “Still Loving You” further solidified their global following. While some critics of the time wrote off its slick production, retrospectively Love at First Sting is praised for its strong songwriting and Herman Rarebell’s thunderous drumming. As one of the first Continental European metal bands to penetrate the US market, Scorpions with this album helped pave the way for the internationalization of hard rock.

77) Pretenders

The Pretenders’ self-titled debut is a near-perfect fusion of punk attitude, new-wave pop, and classic rock sensibility. Led by Chrissie Hynde’s swaggering vocals and James Honeyman-Scott’s inventive guitar, the 1980 album boasts hits like “Brass in Pocket” (a UK #1) and fiery rockers such as “Precious.” Pretenders earned immediate critical acclaim – Rolling Stone later ranked it among the best debuts ever – and it topped the UK charts while reaching the US Top 10. Hynde’s tough-but-vulnerable songwriting on tracks like “Kid” and “Tattooed Love Boys” blazed a trail for women in rock. The album’s transatlantic success (eventually Platinum in the US) proved that post-punk edginess could coexist with pop craftsmanship. Decades on, Pretenders remains a high watermark of early ’80s rock, and its influence can be heard in countless female-fronted alternative bands that followed.

78) Run-D.M.C.

The first album by Run-D.M.C. was a pioneering work that brought hip-hop from the old school into a bold new era. Released in 1984, Run-D.M.C. stripped down the sound to hard-hitting drum machine beats and rock-influenced minimalism, showcased on tracks like “Hard Times” and their riff-driven reimagining of “Rock Box” (the first rap video on MTV). The album became the first rap LP to be certified Gold in the US, signaling the genre’s growing commercial power. Critics heralded its energy and street realism – it was more aggressive and modern than prior rap releases. The Hollis, Queens trio’s Adidas-wearing B-boy style and James J. Taylor’s turntable work also set new standards. Run-D.M.C. laid the groundwork for the crossover explosion of hip-hop later in the decade and remains a foundational text of the genre.

79) Shoot Out the Lights

Lauded by critics as a masterpiece of British folk-rock, Shoot Out the Lights is as famous for its tumultuous backstory as for its brilliant songs. Recorded just before Richard and Linda Thompson’s marriage fell apart, the 1982 album bristles with raw emotion – from the ominous title track to the cathartic finale “Wall of Death.” Produced by Joe Boyd, it pairs Richard’s masterful guitar work and dark songwriting with Linda’s haunting, plaintive vocals. Though promotion was minimal (the Thompsons split during the supporting tour), the album earned Rolling Stone’s acclaim as one of the year’s best and later made numerous all-time album lists. Its reputation grew steadily through word of mouth. Shoot Out the Lights is now seen as a towering achievement in folk-rock, influencing artists in the Americana and singer-songwriter scenes with its unflinching portrait of love gone sour.

80) How Will the Wolf Survive?

Blending Mexican folk traditions with rock ’n’ roll, Los Lobos’ major-label debut How Will the Wolf Survive? was a groundbreaking record for Latin rock. Hailing from East L.A., the band delivered spirited tracks in both English and Spanish – from the rousing Chicano rock of “Don’t Worry Baby” to the norteno-flavored “A Matter of Time.” Critics praised the album’s songwriting and cultural authenticity; Rolling Stone notably ranked it among the top 30 albums of 1984. Though it peaked modestly on the charts, How Will the Wolf Survive? was immensely influential: it opened doors for Latino artists in mainstream American rock and proved the universal appeal of a bilingual, bicultural sound. Decades later, the album (now preserved in the National Recording Registry) is hailed as an Americana classic that broadened the definition of roots music.

81) Midnight Love

Midnight Love marked a creative and commercial rebirth for soul legend Marvin Gaye. Recording in Belgium after leaving Motown, Gaye embraced synthesizers and funk grooves, crafting the smash hit “Sexual Healing” – a sultry track that earned him two Grammys and became a #3 hit on the Billboard Hot 100 . The 1982 album reached #7 on the Billboard 200 and went Platinum, returning Gaye to the top echelon of R&B artists. Critics applauded Gaye’s smooth transition into the modern electro-funk sound while retaining his signature sensuality and vocal richness. Sadly, it would be his final album released in his lifetime, as Gaye was tragically killed in 1984. Midnight Love stands as a testament to Marvin Gaye’s enduring artistry – a late-period classic that influenced the slow-jam R&B style of the ’80s and ’90s .

82) Computer Games

Parliament-Funkadelic leader George Clinton ushered funk into the computer age with his 1982 solo debut Computer Games. The album’s biggest hit, “Atomic Dog,” with its unforgettable “bow-wow-wow” hook, became a #1 R&B single and an enduring party anthem that would later be widely sampled in G-funk and hip-hop . Computer Games blended P-Funk’s bass-heavy grooves with new synth technology and early drum machines, laying groundwork for electro-funk. While the album itself reached only #40 on the R&B chart, its influence far outstripped its chart peak: “Atomic Dog” in particular became one of the most sampled tracks in hip-hop history . Critics regard Computer Games as a high point of post-Parliament funk. By fusing sci-fi imagery with dance-floor funk, Clinton bridged the gap between ’70s funkadelia and the futuristic hip-hop beats of the late ’80s and ’90s.

83) Beauty and the Beat

The Go-Go’s made history with Beauty and the Beat, becoming the first all-female band writing and playing their own instruments to top the Billboard album chart. Powered by the effervescent hits “We Got the Beat” and “Our Lips Are Sealed,” the 1981 debut spent six weeks at #1 in the US and went double Platinum. The album’s upbeat blend of punkish energy and bubbly surf-pop melodies won critical praise as well – Rolling Stone later included it in the 500 Greatest Albums. Beauty and the Beat helped usher new wave into American mainstream and opened doors for women in rock. The Go-Go’s cheeky, infectious style influenced countless pop-rock acts and still sounds quintessentially fun decades later, capturing the sun-soaked spirit of early ’80s L.A. punk-pop.

84) Touch

Following their breakthrough single “Sweet Dreams,” British duo Eurythmics continued their synth-pop success with 1983’s Touch, a versatile album that cemented Annie Lennox and Dave Stewart’s place in ’80s pop innovation. Touch yielded three Billboard Hot 100 hits – “Here Comes the Rain Again,” “Who’s That Girl?” and “Right by Your Side” – showcasing the duo’s range from brooding electronic balladry to Caribbean-tinged pop. The album hit #1 in the UK and the Top 10 in the US, eventually going Platinum in America. Critics hailed Lennox’s soulful voice and the cinematic production; Touch was one of the first albums recorded entirely on digital equipment, highlighting the technological leap of the era. Balancing emotional depth with radio-friendly hooks, Touch proved Eurythmics were no one-hit wonder and remains a high point in ’80s synth-pop, influencing artists blending electronic soundscapes with strong vocals.

85) The Stone Roses

The Stone Roses’ debut album sparked the Madchester movement and is often regarded as one of the finest British albums of all time. Released in 1989, The Stone Roses combined ’60s psychedelic pop and jangly guitars with the rhythmic pulse of acid house, as evident on tracks like “Waterfall” and “I Wanna Be Adored.” Though only a modest chart success initially (peaking at #19 in the UK), the album’s stature grew tremendously through word of mouth and critical adulation – NME and Melody Maker both named it Album of the Year, and it later made numerous all-time top album lists. In the early ’90s, its influence became clear as bands from Oasis to Blur cited the Roses as a major inspiration. By blending dreamy melodies with danceable grooves, The Stone Roses helped usher in the Britpop era and gave British indie rock a new swaggering identity.

86) Pretty Hate Machine

Trent Reznor’s one-man band Nine Inch Nails burst onto the scene with Pretty Hate Machine, effectively bringing industrial music to the masses. Released in 1989 on an indie label, the album slowly built momentum, eventually spending over 100 weeks on the Billboard 200 and becoming one of the first independently released records to achieve Platinum status in the US. Pretty Hate Machine’s dark, synth-driven singles like “Head Like a Hole” and “Down in It” found surprising MTV and club success, introducing mainstream audiences to Reznor’s blend of abrasive electronic beats, heavy guitars, and angsty lyrics. Critics noted the album’s catchy songwriting beneath the ominous exterior. Its influence in shaping ’90s alternative rock and industrial (paving the way for artists like Marilyn Manson and Filter) is immense – by infusing pop songcraft into industrial’s noise, Pretty Hate Machine made the genre both accessible and hugely influential.

87) Pump

Aerosmith capped their ’80s comeback with Pump, an energetic hard rock album that stands as one of the Boston band’s strongest efforts. Pump yielded three Top 10 hits on the Billboard Hot 100: “Love in an Elevator,” the Grammy-winning power ballad “Janie’s Got a Gun” (which tackled the heavy subject of child abuse), and “What It Takes.” The album hit #5 in the US and went 7× Platinum, proving Aerosmith’s renewed popularity following their mid-’80s resurgence. Critics praised Pump for recapturing the band’s ’70s rawness while integrating slick production – many consider it the band’s best album since Rocks. Pump won Aerosmith their first Grammy and solidified their status as elder statesmen who could still dominate MTV and radio in the late ’80s. Its success influenced the wave of ’90s hard rock and showed that Aerosmith’s brand of bluesy rock ’n’ roll was truly timeless.

88) Reckless

Reckless made Canadian rocker Bryan Adams an international hitmaker with a stash of radio classics. Released in late 1984, the album generated six US Top 15 hits – an unprecedented feat at the time – including the #1 power ballad “Heaven” and fist-pumping anthems “Summer of ’69” and “Run to You.” Reckless topped the Billboard chart in 1985 and was the first Canadian album certified Diamond in Canada. Critics complimented Adams’s knack for hook-filled, no-frills rock. The album’s everyman rock style resonated globally, eventually selling around 12 million copies. Reckless’s huge success helped define mid-’80s rock radio and influenced countless artists in the genre of heartland and pop-rock. Decades later, its hits remain ubiquitous, and the album endures as a benchmark of ’80s rock craftsmanship.

89) No Jacket Required

Phil Collins reached the height of his solo fame with No Jacket Required, an album that melded pop hooks, horn sections, and polished production into one of 1985’s biggest releases. It spawned four US Top 10 hits – including the pulsating “Sussudio” and the upbeat “One More Night” – and earned Collins the Grammy for Album of the Year in 1986. No Jacket Required spent seven weeks at #1 in the US and sold over 25 million copies worldwide , confirming Collins as a global pop powerhouse. While some critics found it commercially slick, many acknowledged Collins’s ear for melody and studio prowess. The album’s singles dominated MTV and radio, and Collins’s earnest, everyman persona broadened his appeal across rock and R&B audiences. No Jacket Required stands as a quintessential ’80s pop album – immensely successful and packed with era-defining hits.

90) 3 Feet High and Rising

Playful, psychedelic, and wildly inventive, 3 Feet High and Rising expanded the possibilities of hip-hop. Long Island trio De La Soul, with producer Prince Paul, crafted the 1989 album as a “D.A.I.S.Y. Age” alternative to the harder-edged rap of the time, using quirky samples from artists as diverse as Hall & Oates and Schoolhouse Rock. The result was a critically acclaimed masterpiece that many call hip-hop’s answer to the Beatles’ Sgt. Pepper. 3 Feet High and Rising introduced skits as a format (the game-show themed tracks between songs) and scored hits like the catchy single “Me Myself and I,” which hit #1 on the R&B chart . The album reached the R&B Top 10 and eventually went Platinum – a significant feat for such an unconventional record. Its kaleidoscopic sampling style later faced legal challenges (making the album a landmark in sampling copyright issues), but its artistic impact is undiminished. Frequently ranked among the greatest hip-hop albums, 3 Feet High and Rising ushered in a wave of alternative rap and proved that hip-hop could be whimsical, positive, and profound all at once.

91) Juju Music

Juju Music, released in 1982 by Nigerian musician King Sunny Adé, stands as a landmark recording that introduced the wider world to the vibrant sounds of juju—a Yoruba-based musical tradition blending polyrhythmic percussion, electric guitars, and call-and-response vocals. Critically praised for its lush production and masterful musicianship, the album captured the attention of Western audiences and critics alike, earning spots on many year-end best-of lists and effectively launching King Sunny Adé into the global spotlight. Commercially, Juju Music was a breakthrough not only for King Sunny Adé but also for African popular music in general, opening doors in the global market for other artists and genres from the continent. The record’s hypnotic grooves and buoyant melodies offered a fresh alternative to mainstream pop, influencing musicians who sought to incorporate African rhythms into their work. Equally important, Juju Music broadened cultural awareness of West African music, fostering international appreciation and respect for a style deeply rooted in Yoruba traditions and communal celebration.

92) Signos

Signos, released in 1986, is the third studio album by Argentine rock band Soda Stereo and a cornerstone of the burgeoning "rock en español" movement. Musically, the record blended post-punk and new wave influences with the band's signature pop-rock sensibilities, resulting in a polished sound that elevated their artistic profile. Critically, Signos was widely hailed as a bold leap forward in songwriting and production, showcasing lead singer and guitarist Gustavo Cerati’s evolving compositional prowess. Commercial success soon followed as the album spawned several hit singles, helping to cement Soda Stereo’s status as one of Latin America’s most influential rock acts. Its impact went beyond sales charts, however: Signos inspired a generation of aspiring musicians to explore the possibilities of Spanish-language rock, further galvanizing the genre’s cultural relevance. Over time, the album has become emblematic of both the creative energy and the social optimism that drove Latin American rock in the mid-1980s, ensuring that Signos remains a timeless landmark in Spanish-language popular music.

93) Computer World

Computer World, released in 1981 by German electronic pioneers Kraftwerk, is a landmark album that fused cutting-edge technology with pop sensibilities and stark, minimalist grooves. Critics praised the record for its conceptual vision—exploring an increasingly computerized future through mechanical rhythms, synthetic textures, and cleverly processed vocals. Commercially, while not a blockbuster by mainstream pop standards, Computer World became a major touchstone for electronic and dance music scenes across Europe and beyond, cementing Kraftwerk’s reputation as genre-shaping innovators. Its lasting impact is seen in the countless electronic, techno, and synth-pop artists who cite it as a formative inspiration, embedding themes of technology, automation, and the human-machine relationship into their own work. Over four decades later, Computer World remains a benchmark in electronic music history, highlighting Kraftwerk’s foresight in translating the zeitgeist of the digital age into a revolutionary sonic experience.

94) Tracy Chapman

Tracy Chapman, released in 1988, is the self-titled debut album by the American singer-songwriter that quickly became a benchmark in contemporary folk-pop music. Critically lauded for its poignant storytelling and stripped-down acoustic arrangements, the album offered a stark contrast to the glam-oriented pop and rock that dominated the late ’80s charts. Commercially, it was an undeniable success, fueled in part by the popularity of its lead single, “Fast Car,” which catapulted Chapman to international stardom and earned her multiple Grammy Awards. Beyond sales figures, Tracy Chapman’s introspective songwriting and social commentary resonated with a diverse audience, helping to expand the mainstream landscape for politically conscious music and paving the way for a new generation of socially aware singer-songwriters. Its enduring influence can be felt in both the continued relevance of its themes—economic hardship, personal empowerment, and societal inequality—and in the reverence of younger artists who cite Chapman’s honest storytelling as a defining inspiration.

95) Rhythm Nation 1814

Rhythm Nation, officially titled Janet Jackson's Rhythm Nation 1814 and released in 1989, marked a pivotal moment in Janet Jackson’s career and in the trajectory of pop music. Garnering widespread critical acclaim, the album fused dance-pop, R&B, and new jack swing with socially conscious themes—unusual territory for mainstream artists at the time. Commercially, Rhythm Nation was a phenomenon, spawning multiple chart-topping singles like “Miss You Much” and “Escapade,” and establishing Jackson as one of the most successful and innovative pop stars of her era. Its cultural influence was equally profound: Rhythm Nation’s socially charged lyrics and striking music videos introduced a new standard for conceptual pop albums, inspiring other artists to tackle political and social issues head-on. Moreover, the record’s dance-driven aesthetic and trailblazing visual style left a powerful legacy on the pop landscape, opening doors for artists who sought to merge activism with commercial success.

96) Kick

Kick, released in 1987 by Australian rock band INXS, stands as a milestone in late-’80s pop-rock for its fusion of infectious melodies, funky rhythms, and Michael Hutchence’s magnetic vocal presence. Critically, the album won over reviewers with its polished production and seamless blending of rock, pop, and dance elements, highlighting the band’s evolution into a chart-topping powerhouse. Commercially, Kick was a blockbuster, spawning four U.S. Top 10 singles—including “Need You Tonight” and “New Sensation”—and propelling INXS to global stardom with multi-platinum sales. The record’s polished yet edgy style defined a key moment in the mainstream music of its time, influencing a host of future acts to explore pop-rock’s more sophisticated avenues. Beyond its commercial triumph, Kick also left a lasting cultural imprint, helping cement INXS as one of the definitive bands of the era and raising the international profile of Australian rock on the world stage.

97) The Number of the Beast

The Number of the Beast, released in 1982, is the third studio album by English heavy metal band Iron Maiden and a defining work of the genre. Critically, it was lauded for its blistering guitar harmonies, thunderous rhythm section, and Bruce Dickinson’s soaring vocal debut with the band, showcasing a dynamic new level to Iron Maiden’s sound. Commercially, the album topped the UK Albums Chart and cracked the U.S. Top 40, marking a major breakthrough that propelled Iron Maiden to international stardom. Yet its thematic content—underscored by the ominous title track—also courted controversy, especially among religious groups, inadvertently amplifying the album’s notoriety and fueling wider debate on heavy metal’s cultural impact. Over the decades, The Number of the Beast has remained a seminal influence on subsequent metal acts, cementing Iron Maiden’s status as pioneers of the New Wave of British Heavy Metal and solidifying the record’s place among the greatest heavy metal albums of all time.

98) Hysteria

Hysteria, released in 1987 by British rock band Def Leppard, remains a definitive statement in ’80s rock for its glossy production, massive hooks, and crossover appeal. Produced by Robert John “Mutt” Lange, the album was met with both critical praise and unprecedented commercial triumph, fueled by hit singles like “Pour Some Sugar on Me,” “Animal,” and the chart-topping “Love Bites.” The polished, radio-ready sheen of Hysteria set new industry standards for big-budget rock production, helping to bridge the gap between hard rock and mainstream pop audiences. Beyond its multi-platinum sales, the record had a lasting cultural impact, inspiring a wave of similarly anthemic and meticulously produced rock acts while solidifying Def Leppard’s place among the era’s most influential bands. Its enduring legacy is a testament to the band’s ability to craft arena-ready anthems that continue to resonate with generations of rock fans.

99) Whitney Houston

Whitney Houston, released in 1985, is the self-titled debut album by the legendary American singer that redefined the pop and R&B landscape. Critically, it garnered widespread praise for Houston’s extraordinary vocal prowess and emotive delivery, signaling the arrival of a fresh powerhouse on the music scene. Commercially, the album was an unprecedented triumph, eventually becoming one of the best-selling debut albums of all time and topping the Billboard 200 for multiple weeks. Its major hits—such as “Saving All My Love for You,” “How Will I Know,” and “Greatest Love of All”—helped propel Houston to international superstardom, earning her Grammy recognition and a devoted global fanbase. Beyond its blockbuster sales, Whitney Houston exerted enormous cultural influence, setting a new benchmark for vocal performance in pop music and inspiring countless young singers who aspired to her technical mastery and crossover appeal. Its enduring legacy underscores not only Houston’s status as an iconic artist but also the album’s role in shaping the sound of modern pop and R&B.

100) Diamond Life

Diamond Life, released in 1984 by the British band Sade, stands as a landmark in the fusion of smooth soul, jazz, and pop. Critically, it garnered acclaim for its understated sophistication and for Sade Adu’s distinctive, velvety vocals, which introduced a refined coolness to the ’80s music landscape. Commercially, the album was a runaway success, propelled by hits like “Smooth Operator” and “Your Love Is King,” eventually selling millions of copies worldwide. This breakthrough not only cemented Sade’s status as an international sensation but also influenced a new generation of artists who sought to emulate the group’s seamless blend of soulful elegance and pop accessibility. Decades later, Diamond Life remains an enduring touchstone, celebrated for pioneering a sound that transcended contemporary trends and ushered in a sophisticated approach to modern R&B.